Current (online)

Sean Randolph

Can’t See the Forest for the Trees

Gallery Platform Los Angeles

Online from June 10, 2021

 

Sean Randolph, Three Pigeons of the Sea, 2019, Wood, paint, plaster cloth, fabric, aluminum foil, string, and latex

Sean Randolph (b. 1986) is a storyteller whose work demonstrates his rare amalgam of humor, anxiety, and solicitude. His enchanting works are curious abstractions of epic allegories and mundane observations. Before his MFA at ArtCenter College of Design in 2020, Sean received an MFA in Creative Writing at San Diego State University in 2012. For this presentation with Gallery Platform Los Angeles, O-Town House is pleased to present a selection from both mediums.

 

Pigeons of the sea 


Four seagulls float

over the bluff the last

one in-line, in-visible

tethered aft. The frontal

gull imagines the tertiary

gull saying to secondary

gull as she yawns,


No charge for that one,

this it is fully tax deductible.


The fourth gull is actually

an albatross and the tether

a string of humming birds—

tongue to leg, tongue to leg

tongue to wing, tongue to neck.


This aviary dental floss’ got

pounds of tension on these

leathery pigeon toes. Peer

at the pigeons of the sea

for they are the knots in the trees

with wings like banana leaves.

Please let me hug you

tall bird, the tallest of trees.

Sean Randolph, Champy and Nessie Learn to Swim, 2020, Ink and watercolor on paper, 33 x 24 inches

 

Telemarketers envision vacation time at the lake


Roadrunner, if I could have a hairdo

like you I’d smash all the glass

in my house and not clean it up

for a week and three quarters

of a day’s pay in quarters

but I can’t do that do here

camped under the rain fly

and closing my mouth

from sidewinders who search for

the warm tent

of my throat.

Sean Randolph, A Drawing of Muchness, 2020, Ink, gouache, and watercolor on paper, 60 x 42 inches

“Artists have been depicting the cacophony that is Noah’s ark for centuries. From Brueghel to Hicks, each artist has their own take. This depiction favors the animals and their independence. A monkey works the crane as a gorilla gently nestles a cat. The humans, terrified, retreat for the roof to avoid the stampede.” - SR

Sean Randolph, !?, 2020, Ink, gouache, and watercolor on paper, 60 x 42 inches

“Birth, life, and death. This drawing depicts an alternate ending to the story of Noah’s ark. One in which Noah’s kids fashion his coffin from the body of the ship in their sprawling vineyard. Noah is surprised to see his coffin being made so early, the cat watches on with curiosity, and Noah’s daughter-in-law saws through a board. She makes sure to measure twice and cut once.” - SR

Sean Randolph, I’m cutting you down because your time’s up, 2020, Ink, gouache, and watercolor on paper, 60 x 42 inches

“The title for this piece comes from Ingmar Bergman’s The Seventh Seal (1957). It is what death says before he cuts down the tree Skat is hiding in sending him to plummet to his death. Death surrounds this piece. Implied in this work is the fact that Noah was the original clear cutting lumberjack paving the way for all of the problems we have today stemming from deforestation." - SR

 

The future is a week

from tomorrow’s good guess



Cryogenically freeze

my eyes please.

Shellac them to

save them from

alligatoring. Remove

them from my body

while I paw at pawns

with my feet. Keep

my eyes asleep so they

can only answer questions

on my dividends with silence.

Sean Randolph, One-hundred and Eighty Months Left, 2020, Basswood, acrylic, watercolor, string, and paper, 9 x 12 inches

 

Hover above


Sometimes I wish I could fake levitation

while lying next to you in bed. Levitation

like some great leviathan breeching above

the ocean but with slight of hand instead.


Sean Randolph, Untitled, 2020, Ink on paper, 31 x 45 inches

 

How many Holsteins have I drank milk from?


And above my grave

will stand a butter sculpture

of my head and Adam’s apple,


that walnut, neck grown

as the hair on my ears


burlapped, son and let the crows

come serpent tongues thwapping


let them call long distance

to the cactus wrens, let them enter

the canister of my brain. When we trance


we find we were walking

to the sea with weights of smog

in our pockets.